張奕滿

CV (PDF)

張奕滿,藝術家、作家,生於1977年,馬來西亞麻坡。張的藝術創作關注圖像、表演、存在及文字間的交匯錯雜,他的作品不斷地審視我們日常生活中,由敘述產生的許多功能。

張奕滿曾於多地舉辦個人展覽,包括外灘美術館(上海,2016年),南倫敦畫廊(倫敦,2015年),Sonje藝術中心(2015年,首爾),P! (2014年,紐約),閱覽室(2013年,曼谷),新加坡國立大學博物館(新加坡,2012年),維他命藝術空間(廣州,2007年),Art in General(紐約,2007年),項目藝術中心(迪拜,2006)。

他亦參加了諸多國際雙年展,包括第20屆悉尼雙年展(2016),第10屆光州雙年展(2014),亞太三年展第7期(2012),Performa 11(2011),Momentum 6(2011),Manifesta 8(2010) 新加坡雙年展(2008),基督城雙年展(2006年),釜山雙年展(2004年),第10屆印度三年展(2000年),並代表新加坡參加了第50屆威尼斯雙年展(2003)。

張的創作亦在享有盛譽的群展中備受稱許,包括泰特現代美術館,新當代藝術博物館,巴黎錢幣博物館,漢堡藝術博物館,大阪國立美術館,黑塞爾博物館,耶巴布艾納藝術中心,沙迦藝術基金會,台北當代藝術中心,舊金山亞洲藝術博物館,錦湖藝術博物館,巴塞羅那當代藝術博物館,Kroeller-Muller博物館,阿姆斯特丹市立博物館,白南準藝術中心,格特魯德當代藝術中心,阿諾菲尼藝術中心,堤森當代藝術博物館,丹佛當代藝術博物館,北邁阿密當代藝術博物館 ,漢堡火車站,福岡亞洲美術館,卡蒂斯特藝術基金會,大田藝術博物館。

2006年,張奕滿與Leif Magne Tangen在都柏林的項目藝術中心舉辦了一場寫作工作坊,並與Mark Aerial Waller, Cosmin Costinas, Rosemary Heather, Francis McKee, David Reinfurt 與 Steve Rushton共同創作了科幻小說《PHILP》。

2014年,張與Christina Li 合著了故事集《Sataionary》,由Spring Workshop 出版。看似本職工作之外的,《Sataionary》邀請了藝術家、策展人和作家參與,詳細闡述了在一個特定的懸浮時空下,他們如何與內心的狂熱癡迷自處。《Stationary》的副本於stationarystories.com網站免費發放。

  • Heman Chong
    Fahrenheit 451 / Ray Bradbury (2)
    2011
    Painting on canvas
    61 x 46 x 4 cm (24 x 18 x 1.5 in)
  • Heman Chong
    Fury / Salman Rushdie
    2011
    Painting on canvas
    61 x 46 x 4 cm (24 x 18 x 1.5 in)
  • Heman Chong
    Only Revolutions / Mark Z. Danielewski
    2011
    Painting on canvas
    61 x 46 x 4 cm (24 x 18 x 1.5 in)
  • Heman Chong
    One Flew Over The Cuckoo's Nest / Ken Kesey
    2011
    Painting on canvas
    61 x 46 x 4 cm (24 x 18 x 1.5 in)
  • Heman Chong
    Nineteen Eighty-Four / George Orwell (4)
    2011
    Painting on canvas
    61 x 46 x 4 cm (24 x 18 x 1.5 in)
  • Heman Chong
    The Tibetan Book Of The Dead (1)
    2011
    Painting on canvas
    61 x 46 x 4 cm (24 x 18 x 1.5 in)
  • Heman Chong
    The Tibetan Book Of The Dead (5)
    2011
    Painting on canvas
    61 x 46 x 4 cm (24 x 18 x 1.5 in)
  • Heman Chong
    Secrets and Lies (The Impossibility of Reconstitutions)
    2012
    326 novels within the espionage genre deconstructed via a paper shredder
    variable dimensions
  • Heman Chong
    The Adventures of Robinson Crusoe by Daniel Defoe
    2013
    Printed file on A4 paper, found book illustrated by H. M. Brock, R.I. Printed by Seeley and Co Limited, London, c.
    Printed file: 1 x 29.7 x 21 cm (½ x 11¾ x 8¼ in) Book: 4.5 x 19.9 x 14 cm (1¾ x 7¾ x 5½ in)
  • Heman Chong
    Fight Club / Chuck Palahniuk (2)
    2013
    Painting on Canvas
    61 x 46 x 4 cm (24 x 18 x 1½ in)
  • Heman Chong
    The Unnamable / Samuel Beckett (2)
    2012
    Painting on canvas
    61 x 46 x 4 cm (24 x 18 x 1½ in)
  • Heman Chong
    The Man In The High Castle / Philip K. Dick
    2012
    Painting on canvas
    61 x 46 x 4 cm (24 x 18 x 1½ in)
  • Heman Chong
    Solaris / Stanislaw Lem (3)
    2013
    Painting on canvas
    61 x 46 x 4 cm (24 x 18 x 1½ in)
  • Heman Chong
    The Little Prince / Antoine de Saint Exupéry
    2013
    Painting on Canvas
    61 x 46 x 4 cm (24 x 18 x 1½ in)
  • Heman Chong
    The Wall / Jean-Paul Sartre
    2011
    Painting on canvas
    61 x 46 x 4 cm (24 x 18 x 1½ in)
  • Heman Chong
    The Hunchback of Notre Dame / Victor Hugo
    2011
    Painting on canvas
    61 x 46 x 4 cm (24 x 18 x 1½ in)
  • Heman Chong
    Deleted Scenes (3)
    2008
    Photographic collage on acid free paper
    unframed: 75 x 105cm (29½ x 42 in), framed: 90 x 120 x 7.6cm (35½ x 47¼ x 3in)
  • Heman Chong
    A Christmas Carol (Past) / Charles Dickens
    2010
    Acrylic on canvas
    46 x 61 x 3.5 cm (18 x 24 x 1½ in)
  • Heman Chong
    Non-Stop / Brian Aldiss
    2010
    Acrylic on canvas
    46 x 61 x 3.5 cm (18 x 24 x 1½ in)
  • Heman Chong
    Lord of the Flies / William Golding (1)
    2010
    Acrylic on canvas
    46 x 61 x 3.5 cm (18 x 24 x 1½ in)
  • Heman Chong
    The Island of the Day Before / Umberto Eco
    2010
    Acrylic on canvas
    46 x 61 x 3.5 cm (18 x 24 x 1½ in)
  • Heman Chong
    Island / Aldous Huxley
    2010
    Acrylic on canvas
    46 x 61 x 3.5 cm (18 x 24 x 1½ in)
  • Heman Chong
    Lust / Elfriede Jelinek
    2010
    Acrylic on canvas
    46 x 61 x 3.5 cm (18 x 24 x 1½ in)
ENQUIRE
Publications
Press
  • ArtAsiaPacific_ Nocturnal Readings Heman Chong Because The Night_November 26 2017 | PDF
  • Bookshop for night owls, Arts News & Top Stories - The Straits Times_07 November 2017 | PDF
  • “Take Me (I’m Yours)”_ experience works of art at Pirelli HangarBicocca, Milan _ Art Radar_22 December 2017 | PDF
  • CNN Philippines_What our unread books say about us_7 Jul. 2017 | PDF
  • A river runs through it_ Hong Kong exhibition looks at the countries shaped by the mighty Mekong _ Post Magazine _ South China Morning Post_4 May 2017 | PDF
  • Artlink_The Many Fictions of Heman Chong_December 2016 | PDF
  • ArtAsiaPacific_The Point_2016 | PDF
  • AIA_112-115 Travis Jeppesen_June / July 2016 | PDF
  • Heman Chong’s Chinese Conceptualism _ COBO Social_29 February 2016 | PDF
  • LEAP_Heman Chong_2016 | PDF
  • Cover Versions_ An Interview with Heman Chong _ SINGAPORE POETRY_8 January 2016 | PDF
  • Katrib, Ruba. “A Tear in the Fabric of Reality”, Flash Art, Milan, Italy_October 2015 | PDF
  • Stationary 1”, ArtReview Asia, London, UK_Summer 2015 | PDF
  • “Never, A Dull Moment”, ArtAsiaPacific Web Exclusive, Hong Kong, China_29 March 2015 | PDF
  • Yang, Haegue & Chong, Heman. “When Heman met Haegue”, ArtReview Asia, Hong Kong Special Edition, London UK_2015 | PDF
  • Wee, Darryl. “Never, A Dull Moment with Heman Chong”, BloudinArtInfo, Seoul, South Korea_11 February 2015 | PDF
  • Yishu Moderation(s)_September / October 2014 | PDF
  • LEAP - The Part In The Story Where A Part Becomes a Part of Something Else_September / October 2014 | PDF
  • ArtForum Lee Ambrozy Moderation(s)_27 May 2014 | PDF
  • Heman Chong’s “Of Indeterminate Time Or Occurrence” | Art Agenda_18 April 2014 | PDF
  • ArtAsiaPacific_ The Pleasure Of Getting Lost Heman Chong At The Reading Room_14 March 2014 | PDF
  • ArtAsiaPacific_ Twenty Plots For Things To Come Anthony Marcellini And Heman Chong_22 January 2014 | PDF
  • You Promised Me, and You Said a Lie to Me – review | Culture | theguardian.com_2013 | PDF
  • ArtAsiaPacific_ Spring Workshop And Moderation(s)_February 2013 | PDF
  • ArtAsiaPacific_ The Artist The Book And The Crowd_August 2013 | PDF
  • Transcending Histories and Disrupting the Present at APT7 | PDF
  • Interview_ Heman Chong's Bookish Pursuits | BLOUIN ARTINFO_2013 | PDF
  • AAP77_Review NUS Museum Singapore_Heman Chong_March / April 2012 | PDF
  • ArtAsiaPacific79_One_on_One_Heman Chong_2012 | PDF
  • ou Have Reached Domestic How Can I Assist You Today Heman Chong_2012 | PDF
  • HEMAN CHONG_ CALENDARS (2020-2096) | 艺术界 LEAP_2012 | PDF
  • Human Chong_Island_LEAP_December 2011 | PDF
  • TODAY_Heman Chong_Master of His Universe_December 2011 | PDF
  • Heman Chong_Curators without Borders_Business Times_November 2011 | PDF
  • We RAT on Heman Chong and his Calendars_2011 | PDF
  • ArtAsiaPacific_Heman Chong_Reflections_2010 | PDF
  • Heman Chong on Influence and Appropriation_2010 | PDF
  • Frieze Magazine | Archive | Philip_11 September 2010 | PDF

JOIN MAILING LIST