Heman Chong (b. 1977, Muar) is an artist and writer whose work is located at the intersection between image, performance, situations and writing. His work continuously interrogates the many functions of the production of narratives in our everyday lives.
Heman Chong has presented a number of solo exhibitions at the Rockbund Art Museum (Shanghai, 2016), South London Gallery (London, 2015), Art Sonje Center (Seoul, 2015), P! (New York, 2014), The Reading Room (Bangkok, 2013), NUS Museum (Singapore, 2012), Vitamin Creative Space (Guangzhou, 2007), Art in General (New York, 2007), Project Arts Centre (Dublin, 2006).
He has also participated in numerous international biennales including 20th Sydney Biennale (Upcoming, 2016), 10th Gwangju Biennale (2014), Asia Pacific Triennale 7 (2012), Performa 11 (2011), Momentum 6 (2011), Manifesta 8 (2010), 2nd Singapore Biennale (2008), SCAPE Christchurch Biennale (2006), Busan Biennale (2004), 10th India Triennale (2000) and he represented Singapore in the 50th Venice Biennale (2003).
Chong’s work has also been part of a number of group exhibitions at internationally recognised institutions including Tate Modern, New Museum, Monnaie de Paris, Museum fur Gewerbe und Kunst Hamburg, The National Museum of Art Osaka, Hessel Museum, Yerba Buena Center for the Arts, Sharjah Art Foundation, Taipei Contemporary Art Center, San Francisco Asian Art Museum, Kumho Museum of Art, Museu d’Art Contemporani de Barcelona, Kroeller-Muller Museum, Stedelijk Museum Bureau, Nam June Paik Art Center, Gertrude Contemporary, Arnolfini, Thyssen-Bornemisza Art Contemporary, Museum of Contemporary Art Denver, Museum of Contemporary Art North Miami, Hamburger Bahnhof, Fukuoka Asian Art Museum, Kadist Art Foundation, Daejeon Museum of Art.
In 2006, he produced a writing workshop with Leif Magne Tangen at Project Arts Center in Dublin where they co-authored “PHILIP”, a science fiction novel, with Mark Aerial Waller, Cosmin Costinas, Rosemary Heather, Francis McKee, David Reinfurt and Steve Rushton.
In 2014, he co-founded “Stationary’”with Christina Li. A collection of stories published by Spring Workshop, defined as a recess from their own practices, ‘Stationary’ invites artists, curators and writers to take stock, chart and elaborate on their obsessions, fascinations and influences within a suspended temporal moment. Copies of ‘Stationary’ are distributed free of charge via stationarystories.com