Books of Wisdom: Rare and Complete Tibetan Buddhist Manuscripts from the McCarthy Collection

25 Nov – 28 Jan 2018
  • PRESS RELEASE
  • WORKS
BACK
  • Books of Wisdom
    Rare and Complete Tibetan Buddhist Manuscripts from the McCarthy Collection

    25 November 2017–27 January 2018
    Private View 25 November 3-6pm

    Rossi & Rossi Hong Kong
    3/F Yally Industrial Building
    6 Yip Fat Street, Wong Chuk Hang

    Rossi & Rossi is delighted to announce the exhibition of an exceptional private collection of Tibetan manuscripts: Books of Wisdom– Eleven Rare and Complete Tibetan Buddhist Manuscripts from the McCarthy Collection. Comprised of eleven canonical manuscripts dating from the 13th to 16th century, the exhibition presents a rare opportunity to view medieval manuscripts in their original form.

    The volumes in the McCarthy Collection show an astonishing range of calligraphic style, design and motif–reflective of the numerous influences on Tibetan art from this period. The collection features 13th century examples of manuscripts in gold on blueback paper, a technique attributed to Newar artists. Later, post-15th century manuscripts display elements of Chinese influence in both style and material. Allusions to the Indian origin of the manuscripts’ format can be found throughout: decorative, painted circles in the middle of the pages reference the pothi technique, whereby the unbound palm-leaf pages were held together by a string piercing them.

    The importance of the written tradition to Tibetan Buddhism cannot be overstated. Though Buddhism was introduced to Tibet from India in the 7th century, a period of persecution after meant that it wasn’t until the 11th century that the religion firmly established itself in the region. During this period, Indian scholars, teachers and monks journeyed across the Himalayas bringing with them the primary vehicle for the transmission of faith: texts–handwritten and often illustrated–in which the doctrine of Buddhism was committed to written form. By the 12th century, the Buddhist canon, known in Sanskrit as the Tripitaka (the ‘Three Baskets’ referring to the rules of monastic conduct, the Buddha’s teachings, and commentaries), had been translated into Tibetan. In the 13th century the Tibetan Buddhist canon was first assembled, and it was later revised in the 14th century by Burton Rimpoche. Throughout the 11th to 14th century, hundreds of Buddhist monasteries were founded, each ideally requiring its own library. After the 15th century, each of Tibet’s monasteries aspired to have the complete set of the 4,569 texts which form the complete Tripitaka, alongside many extra-canonical texts used by monks and scholars. Before the Chinese invasion of Tibet, there were said to be between 3000 and 5000 monasteries in Tibet, of which probably more than 90% were partially or entirely destroyed. The sacred content of their libraries met a similar fate, and while individual folios were sometimes preserved, it is incredibly rare to now find complete manuscripts with all folios intact.

    Rossi & Rossi has a long history of displaying Himalayan manuscripts, which can be traced back to the 1990s with the New York exhibition Guardians of the Sacred Words, a groundbreaking exhibition and publication of Tibetan manuscript covers.

    • The Perfection of Wisdom in Eight Thousand Verses (Ashtasahasrika Prajnaparamita Sutra)

      345 folios of blue-black paper; script written in silver brush; 24 illuminations
      Central Tibet
      Late 15th century
      23 x 70 x 16.5 cm (9 x 27 ½ x 6 ½ in)

      ENQUIRE
    • The Perfection of Wisdom in Eight Thousand Verses (Ashtasahasrika Prajnaparamita Sutra)

      360 folios of white paper with faint red borders; script written in black brush; 4 illuminations
      Tibet, possibly Dolpo region
      15th century
      23 x 68 x 12.5 cm (9 x 26 ¾ x 5 in)

      ENQUIRE
    • Sutra of the Auspicious Aeon (Bhadrakalpikasutra)

      257 folios of blue-black paper; script written in alternating gold and silver brush; 6 large and 502 small illuminations
      Central Tibet
      Ca. 1450
      21 x 67.5 x 14 cm (8 ¼ x 5 ½ x 5 ½ in)

      ENQUIRE
    • Sutra of the Auspicious Aeon (Bhadrakalpikasutra), two volumes

      Ca. 1350
      More than 500 folios of blue-black mulberry paper burnished with rice powder; script written in gold brush; first volume: 6 large and more than 500 small illuminations; second volume: 4 large and more than 500 small illustrations
      Western Tibet
      Early 14th century
      First volume: 25.5 x 69 x 14.5 cm (10 x 27 ¼ x 5 ¾ in);
      second volume: 23 x 65 x 16 cm (9 x 25 ½ x 6 ¼ in)

      ENQUIRE
    • Sutra of the Auspicious Aeon (Bhadrakalpikasutra), two volumes

      Ca. 1350
      More than 500 folios of blue-black mulberry paper burnished with rice powder; script written in gold brush; first volume: 6 large and more than 500 small illuminations; second volume: 4 large and more than 500 small illustrations
      Western Tibet
      Early 14th century
      First volume: 25.5 x 69 x 14.5 cm (10 x 27 ¼ x 5 ¾ in);
      second volume: 23 x 65 x 16 cm (9 x 25 ½ x 6 ¼ in)

      ENQUIRE
    • The Perfection of Wisdom in Eight Thousand Verses (Ashtasahasrika Prajnaparamita Sutra)

      406 folios of raw paper; script written in black brush; 4 illuminations
      Tibet
      Ca. 15th century
      22 x 74 x 13.5 cm (8 ½ x 29 ¼ x 5 ¼ in)

      ENQUIRE
    • The Perfection of Wisdom in Eight Thousand Verses (Ashtasahasrika Prajnaparamita Sutra)

      353 folios of white composite paper with red ruled lines; script written in black and red brush; 2 large illuminations
      Tibet
      Ca. 1500
      21 x 64.5 x 13.5 cm (8 ¼ x 25 ¼ x 5 ¼ in)

      ENQUIRE
    • The Auspicious Aeon (Bhadrakalpikasutra)

      More than 450 folios of blue-black paper; script written in alternating gold and silver brush; first volume: 5 large and more than 400 small illuminations; second volume: 6 large and more than 500 small paintings
      Central Tibet
      Late 15th–early 16th century
      First volume: 23.5 x 64 x 11 cm (9 ¼ x 25 ¼ x 4 ¼ in);
      second volume: 23.5 x 64.5 x 7.5 cm (9 ¼ x 25 ½ x 3 in)

      ENQUIRE
    • The Auspicious Aeon (Bhadrakalpikasutra)

      More than 450 folios of blue-black paper; script written in alternating gold and silver brush; first volume: 5 large and more than 400 small illuminations; second volume: 6 large and more than 500 small paintings
      Central Tibet
      Late 15th–early 16th century
      First volume: 23.5 x 64 x 11 cm (9 ¼ x 25 ¼ x 4 ¼ in);
      second volume: 23.5 x 64.5 x 7.5 cm (9 ¼ x 25 ½ x 3 in)

      ENQUIRE
    • The Perfection of Wisdom in Eight Thousand Verses (Ashtasahasrika Prajnaparamita Sutra)

      314 folios of blue-black paper; dbu can script written in gold brush
      Tibet
      13th–14th century
      24 x 71 x 15 cm (9 ½ x 28 x 6 in)

      ENQUIRE

JOIN MAILING LIST